Forty three American voices, the deepest English set in the catalog. Enough range to cast for tone across a campaign rather than reusing the same voice because nothing else fits.

Seven British voices, listed in full rather than selected. Isla, Julia and Poppy are female, Alistair, Edward and Noah male. Enough for most projects, small enough to audition in five minutes.

Five Australian voices, and all five are here. Chloe, Nyah and Sienna are female, Cooper and Flynn male. A small set, but enough to cast a project without repeating a voice.

Seventy two voices cover eleven Indic languages plus English, so one voice serves a Hindi caller and a Tamil caller without re-casting. Hindi and English can alternate inside a single sentence.

Support calls reach people who are already inconvenienced, often on a poor line. These voices favour clarity over character, hold steady across renders, and move between Hindi and English the way callers actually do.

One hundred and ninety five voices carry the conversational tag, 84 percent of the catalog. Streaming is what makes them feel live: audio begins playing before the sentence has finished rendering.

One hundred and four voices carry an Indian accent, more than twice any other group. They handle English words inside Devanagari sentences without changing register, which is how Indian English is actually spoken.

There is no emotion parameter, so range comes from the voice and from how the line is written. Fourteen voices carry the character tag, and those have the widest delivery available.

One hundred and one female voices, spanning six accent groups and all twelve recommended languages. At that scale accent and language usually constrain casting more than gender does.

One hundred and twenty male voices across every accent group and all twelve recommended languages. Most carry an Indic recommendation, which is unusual in catalogs that treat Indian languages as an afterthought.