Seven British voices, listed in full rather than selected. Isla, Julia and Poppy are female, Alistair, Edward and Noah male. Enough for most projects, small enough to audition in five minutes.

Three Canadian voices: Erica, Alec and William. That is the whole group. If you need more range in a North American register, the forty three American voices sound close.

Five Australian voices, and all five are here. Chloe, Nyah and Sienna are female, Cooper and Flynn male. A small set, but enough to cast a project without repeating a voice.

One hundred and four voices carry an Indian accent, more than twice any other group. They handle English words inside Devanagari sentences without changing register, which is how Indian English is actually spoken.

Commercial reads are short, fast, and worth testing in variants. A thirty second spot is one or two requests, which makes producing four versions cheaper than booking one session.

One hundred and ninety five voices carry the conversational tag, 84 percent of the catalog. Streaming is what makes them feel live: audio begins playing before the sentence has finished rendering.

Seventy two voices cover eleven Indic languages plus English, so one voice serves a Hindi caller and a Tamil caller without re-casting. Hindi and English can alternate inside a single sentence.

One hundred and twenty male voices across every accent group and all twelve recommended languages. Most carry an Indic recommendation, which is unusual in catalogs that treat Indian languages as an afterthought.

Eighty six voices are tagged mature, and twenty also carry the narrative tag. That overlap is the usual starting point for audiobooks and documentary work, where consistency shows over hours rather than seconds.

For compliance and legal reads the goal is that exact wording lands, not that the voice sounds grave. A speed near 0.9 improves intelligibility more than any casting choice.