Forty three American voices, the deepest English set in the catalog. Enough range to cast for tone across a campaign rather than reusing the same voice because nothing else fits.

Five Australian voices, and all five are here. Chloe, Nyah and Sienna are female, Cooper and Flynn male. A small set, but enough to cast a project without repeating a voice.

Three Canadian voices: Erica, Alec and William. That is the whole group. If you need more range in a North American register, the forty three American voices sound close.

One hundred and four voices carry an Indian accent, more than twice any other group. They handle English words inside Devanagari sentences without changing register, which is how Indian English is actually spoken.

A novel is thousands of requests stitched together, and the joins are where narration falls apart. These voices hold consistent across a full book and cover nine Indic languages that most vendors do not.

Corporate narration needs consistent terminology more than it needs a particular tone. Pronunciation dictionaries fix brand and product names once, so every module in a library matches the first one.

Seventy two voices cover eleven Indic languages plus English, so one voice serves a Hindi caller and a Tamil caller without re-casting. Hindi and English can alternate inside a single sentence.

One hundred and twenty male voices across every accent group and all twelve recommended languages. Most carry an Indic recommendation, which is unusual in catalogs that treat Indian languages as an afterthought.

There is no emotion parameter, so range comes from the voice and from how the line is written. Fourteen voices carry the character tag, and those have the widest delivery available.

One hundred and one female voices, spanning six accent groups and all twelve recommended languages. At that scale accent and language usually constrain casting more than gender does.