AI Voices for Movie Trailers

AI Voices for Movie Trailers

Trailer narration is the most compressed writing in film advertising: eight or nine lines carrying an entire premise. These six are drawn from the narration pool, chosen for weight and an unhurried delivery.

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Voices for Movie Trailers
CormacVerified
British · Male · Young
United Kingdom flagEnglish
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FinleyVerified
British · Male · Young
United Kingdom flagEnglish
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BrooksVerified
American · Male · Young
United States flagEnglish
Use voice
ChelseaVerified
American · Female · Mature
United States flagEnglish
Use voice
RajdeepVerified
Indian · Male · Young
India flagHindi
Use voice
SakthiVerified
Indian · Male · Young
India flagHindi
Use voice
CormacVerified
British · Male · Young
United Kingdom flagEnglish
Use voice
FinleyVerified
British · Male · Young
United Kingdom flagEnglish
Use voice
BrooksVerified
American · Male · Young
United States flagEnglish
Use voice
ChelseaVerified
American · Female · Mature
United States flagEnglish
Use voice
RajdeepVerified
Indian · Male · Young
India flagHindi
Use voice
SakthiVerified
Indian · Male · Young
India flagHindi
Use voice

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Friendly Voices

Narration is the one job where a voice has to hold up for hours rather than seconds. 163 of the 244 voices here carry the narration tag, the largest group in the catalog, across English, Hindi and nine other Indic languages.

1500+ voices to explore

Browse our full voice library and find the right tone, accent, and personality for your agent.

Model Specifications

Streaming transports

WebSocket, HTTP chunked transfer

WebSocket, HTTP chunked transfer

Output formats

.ulaw, .alaw, PCM 16-bit, .wav, .mp3

.ulaw, .alaw, PCM 16-bit, .wav, .mp3

Speed range

0.5× – 2.0×, set per request

0.5× – 2.0×, set per request

Sample rate

44.1 kHz native, resampled to 8 kHz for telephony

44.1 kHz native, resampled to 8 kHz for telephony

Latency

~200 ms to first byte (p50, warm region)

~200 ms to first byte (p50, warm region)

Trailer reads are written, not performed

The genre runs on short declarative lines with long gaps between them. Weight comes from the pause as much as the voice, which is why trailer copy looks sparse on the page. Casting matters less here than most people expect; pacing and the script carry it.

Cutting against picture

Requests cap at 250 characters, which is roughly one trailer line. Generating line by line rather than as a block means a retime costs one regeneration rather than a full re-render. For a format that gets recut repeatedly before lock, that changes how late you can keep changing the copy.

Pace is the whole instrument

Speed adjusts from 0.5 to 2.0, and trailer reads usually sit near 0.85. That is the only delivery control, since there is no pitch or emotion parameter. Slowing a line gives the cut room to land, which is the effect the genre is built on.

What the catalog does not do

There is no pitch shifting and no effects layer, so the heavily processed trailer voice of the 1990s is not reachable here. What is available is 163 narration-tagged voices with genuine weight, delivered clean for you to process in the edit if that is the sound you want.

Popular voices

Frequently asked questions

These six come from the narration pool, chosen for weight and even pacing. Trailer work rewards an unhurried delivery over a dramatic one, since the music and cut supply the drama. Listen at the level the finished trailer will play at.